Andrew Jackson (1767-1845)

Object Number: 
Oil on canvas
Overall: 30 x 25 in. ( 76.2 x 63.5 cm ) Framed: 40 1/4 in. × 35 in. × 4 1/4 in. (102.2 × 88.9 × 10.8 cm)
Gallery Label: 
This portrait was originally painted for Luman Reed and formed part of his fine collection before it went to the New York Gallery of Fine Arts. Reed had commissioned Durand to paint portraits of all seven presidents of the United States, which the artist either copied from earlier portraits or, if possible, painted from life. This one was painted from life.
Clark, Lewis Gaylord, ed., "Editor's Table," The Knickerbocker, June 1835, pp. 550-6. "Exhibition of the National Academy," Morning Courier and New-York Enquirer, Vol. 8, #2433, May 8, 1835, col. 2, p. 2. Morris, G. P., ed., "The Fine Arts: Exhibition of the National Academy of Design," The New-York Mirror, A Weekly Journal, Devoted to Literature and the Fine Arts, Vol. XII, no. 47, May 23, 1835 p. 371. Sheldon, G. W., American Painters: With Eighty-Three Examples of their Work Engraved on Wood, New York: D. Appleton and Company, 1879, p. 129-30. Harpers New Monthly Magazine, Vol. 66, no. 396, May 1883, p. 860. Durand, John, The Life and Times of Asher B. Durand, New York: C. Scribner's Sons, 1894, pp. 106-15. "Pictures by Durand," The New York Times, April 26, 1903, p. 34. Isham, Samuel, The History of American Painting, New York: The Macmillan Company, 1905, p. 218. Tolman, Ruel P., "Asher Brown Durand," Art in America, Vol. 11, no. 4, June 1923, pp. 196-200. Sherman, Frederic Fairchild, Early American Portraiture, New York: Privately Printed, 1930, pp. 38-41. Sweet. Frederick A., The Hudson River School and the Early American Landscape Tradition, Chicago: 1945, p. 43. Sears, Clara Endicott, Highlights Among the Hudson River Artists, Boston: Houghton Mifflin Company, 1947, p. 41. Vail, R. W., Knickerbocker Birthday: A Sesqui Centennial History of The New-York Historical Society 1804-1954, New York: The New-York Historical Society, 1954, pp. 383-4. Vail, R. W., "A Memorial Meeting for President Jackson," The New-York Historical Society Quarterly, Vol. XXXVIII, no. 3, July 1954, p. 245. Lawall, David B., Asher Brown Durand: His Art and Art Theory in Relation to his Times, Submitted to Princeton University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy, March 1966, pp. 57, 140-159, 192-4, 616. Caldwell, John S., Asher B. Durand's Travels in Europe, 1840-1841 and their Role in his Artistic Development, Submitted to Hunter College, 1973, p. 45. Catalogue of American Portraits in The New-York Historical Society, New Haven: Yale University Press, 1974, Vol. 1, p. 386. Lassiter, Barbara Babcock, American Wilderness: The Hudson River School of Painting, Garden City, NY: Doubleday & Company, Inc., 1977, pp. 36-7. Brown, Milton W., Hunter, Sam, Jacobus, John, Rosenblum, Naomi, Sokol, David M., American Art: Painting-Sculpture-Architecture-Decorative Arts-Photography, New York: Harry N. Abrams, Inc., 1979, p. 196. Foshay, Ella M., Luman Reed's Picture Gallery: Pioneer Collection of American Art, New York: Harry N. Abrams, Inc., 1990, pp. 19, 30-1, 46-8, 61-2, 84, 141-5, 208-9. Ferber, Linda S., ed., "Asher B. Durand, American Landscape Painter," Kindred Spirits Asher B. Durand and the American Landscape, Brooklyn Museum, 2007, pp. 70-1, 81, 130, 207, 217. Vedder, Lee A. "Nineteenth-century American paintings." The Magazine Antiques 167 (2005): 146-155.
Credit Line: 
Gift of The New-York Gallery of the Fine Arts
Luman Reed, d. 1836; Mrs. Luman Reed, New York, 1836-44; New-York Gallery of the Fine Arts, 1844-58.
Due to ongoing research, information about this object is subject to change.
Creative: Tronvig Group