Contemporary artist Betye Saar has shaped the development of assemblage art in the United States, particularly as a device to illuminate social and political concerns. A key figure in the Black Arts Movement and the feminist art movement of the 1960-70s, Saar’s distinct vision harmonizes the personal and the political. Over the years, Saar has transformed the representation of African Americans in American culture by recycling and reclaiming derogatory images such as Aunt Jemimas, Uncle Toms, sambos, and mammies to confront the continued racism in American society and create representations of strength and perseverance. This exhibition focuses on one facet of her work—washboards—created between 1997 and 2017. Presented in the Joyce B. Cowin Women’s History Gallery, part of the Center for Women’s History, the exhibition is organized by the Craft and Folk Art Museum, Los Angeles.
Exhibitions at New-York Historical are made possible by Dr. Agnes Hsu-Tang and Oscar Tang, the Saunders Trust for American History, the Seymour Neuman Endowed Fund, the New York City Department of Cultural Affairs in partnership with the City Council, and the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. WNET is the media sponsor.