The Solitary Oak (The Old Oak)
Oil on canvas (relined)
Overall: 36 x 48 in. ( 91.4 x 121.9 cm ) Framed: 4 1/2 x 46 3/4 x 58 3/4 in. (11.4 x 118.7 x 149.2 cm)
Durand's original title for this painting was The Solitary Oak with the Old oak listed as a later designation.
"National Academy of Design," The New York Herald, April 27, 1844, p.1, col. 6. Deming, Henry C., and MacKay, James, eds., The New World, New York: Vol. VIII, No. 18, May 4, 1844, p. 562, col. 1. "National Academy of Design," The Anglo American, Vol. III, No. 5, May 25, 1844, pp. 116-7. Tuckerman, Henry T., Book of the Artists, American Artist Life, Comprising Biographical and Critical Sketches of American Artists: Preceded by an Historical Account of the Rise and Progress of Art in America, New York: P. Putnam & Son, 1867, p. 621. "Pictures by Durand," The New York Times, April 26, 1903, p. 34. Richardson, E. P., Painting in America: The Story of 450 Years, New York: Thomas Y. Crowell Company, 1956, p. 170. Pierson Jr., William H., and Davidson, Martha, eds., Arts of the United States: A Pictorial Survey, New York: McGraw-Hill Book Company, Inc., 1960, p. 304. Novak, Barbara, "Asher B. Durand and European Art," The Art Journal, Vol. XXI, Summer 1962, pp. 250-2. Green, Samuel M., American Art: A Historical Survey, New York: The Ronald Press Company, 1966, p. 252. Lawall, David B., Asher Brown Durand: His Art and Art Theory in Relation to his Times, Submitted to Princeton University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy, March 1966, pp. 113, 359, Fig. 133. Caldwell, John S., Asher B. Durand's Travels in Europe, 1840-1841 and their Role in his Artistic Development, Submitted in partial fulfillment of the requirements for the degree of Master of Arts, Hunter College, The City University of New York, 1973, pp. 14-5, 23-4, 28-9, 35. Lawall, David B., Asher B. Durand: A Documentary Catalogue of the Narrative and Landscape Paintings, New York & London, Garland Publishing, Inc., 1978, pp. 41-3. Koke, Richard J., American Landscape and Genre Paintings in the New York Historical Society, Vol. I, New York: The New-York Historical Society, 1982, pp. 318-21. Mann, Maybelle, "The New-York Gallery of Fine Arts: 'A Source of Refinement,'" American Art Journal, Vol. XI, January 1979, p. 83-4. Caldwell, John and Roque, Oswaldo Rodriguez, American Paintings in the Metropolitan Museum of Art, Vol. I, A Catalogue of Works by Artists Born by 1815, New York: The Metropolitan Museum of Art, 1994, pp. 423-4. Georgi, Karen L., Asher B. Durand's American Landscapes and the Nature of Representation, Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, 2000, pp. 17-8, 122-57. New-York Historical Society, Perspectives on the Collections of The New-York Historical Society, New York: The New-York Historical Society, 2000, pp. 32-3. Bedell, Rebecca, The Anatomy of Nature: Geology & American Landscape Painting, 1835-1875, Princeton: Princeton University Press, 2001, pp. 55, 160. Vedder, Lee A., "Heeding the Call of Nature: Asher Brown Durand's Communion with the American Landscape," The New-York Journal of American History, New York: New-York Historical Society, Vol. LXV, No. 4, Fall 2004, pp. 34-5, 45. Ferber, Linda S., ed., "Asher B. Durand, American Landscape Painter," Kindred Spirits Asher B. Durand and the American Landscape, Brooklyn Museum, 2007, pp. 143, 201, 214, 217. Vedder, Lee A. "Nineteenth-century American paintings." The Magazine Antiques 167 (2005): 146-155.
Gift of The New-York Gallery of the Fine Arts
Due to ongoing research, information about this object is subject to change.